Menu

I Am Quixote

Call Us At: 919-995-9763

El Quixote Festival Events

Special luncheon with Iván Granados-Hay

Special luncheon with Iván Granados-Hay, personal librarian of Nobel Laureate Gabriel García Marquéz.

Date: Thursday, September 29, 2016
Time: Noon – 1.30 pm
Location:  David M. Rubenstein Rare Book and Manuscript Library 249 (Carpenter Conference Room). Duke University

 

Granados Hay personal librarian to Nobel Laureate Gabriel García Marquéz will open the 2nd Annual El Quixote Festival in collaboration with the 30th Annual NC Latin American Film Festival.

For a decade (before García Márquez passing) Granados Hay worked hand and hand with Marquez not only taking care of the laureate’s vast book collection, but also helping him with his articles, memories, and editorial projects.

Granados Hay is also a curator of documentary material of the Nobel Laureate as well as librarian for other important writers, such as Alvaro Mutis.
Presently, Granados Hay is preparing two editorial works (for Penguin Books) on short stories including some lost stories of García Márquez. Hay visits the Triangle directly from Mexico City and will participate in several workshops and events during his three day stay. To include a special lunchon with public, university and state librarians.

The El Quixote Festival “GABO” celebrates the 50th anniversary of the publication of One Hundred Years of Solitude, the master work of Nobel Laureate Gabriel García Marquéz (Gabo), and one of the top 10 books ever written. We are excited to be collaborating once again with the NCLAFF and Miguel Rojas Sotelo with the support of Duke University Libraries and The Romance Studies Department at UNC-CH in order to make this event possible said Rafael A. Osuba Founder / Artistic Director of Artist Studio Project the group producing the El Quixote Festival.

Learn More »

Cuentos Para Gabo Raleigh

CUENTOS PARA GABO

Cuentos Para Gabo - Stories for Gabo October 15th, 2016Cuentos Para Gabo – SHORT STORIES FOR GABO

Literary Gathering – Tertulia Literaria

October 15, 2016

The 1st Literary Gathering “Cuentos para Gabo” – “Short Stories for Gabo”

Artist Studio project in collaboration with the Cameron Village Regional Library present:

“Cuentos para Gabo” – “Short Stories for Gabo”

The 1st of several Literary Gatherings is scheduled for October 15, 2016 – 2 pm. Cameron Village Regional Library – 1930 Clark Ave, Raleigh, NC 27605

We are proud to announce the writers selected for the 1st Literary Gathering Cuentos para Gabo – Stories for Gabo
CUENTOS-PARA-GABO-CAMERON-VILLAGE-OCT-15-2016Alex Blanco
Yvette Corredor
Juan David Cure
Margarita Dager-Uscocovich
Miriam García Herrera
Joan F Valdes Santos
Leonel Vega
Agustin Villacis Paz
Elizabeth Zertuche

As part of the 2nd annual El Quixote Festival, we are proud to celebrate the 50th anniversary of the publication of ONE HUNDRED YEARS OF SOLITUDE, (Cien Años de Soledad) the master work of Nobel Laureate Gabriel García Marquéz (GABO), and one of the top 10 books ever written.

Join us for an afternoon filled with poems and short stories dedicated to this great literary giant Gabriel García Marquéz.

Poets, writers and storytellers from around the state share their original works in honor of – ONE HUNDRED YEARS OF SOLITUDE – CIEN AÑOS DE SOLIDAD.

THIS EVENT IS FREE AND FORMS PART OF THE 2ND ANNUAL EL QUIXOTE FESTIVAL – PRODUCED BY ARTIST STUDIO PROJECT.

CLICK HERE – SOMEWHERE IN LA MANCHA PDF

Call for Writers – Llamados para Escritores

Submission for the March 22 event are now open!

APPLY-TO-CALL-button-35

 

Learn More »

MACONDO – ART EXHIBIT, A JOURNEY THROUGH MAGICAL REALISM

Macondo-EXHIBIT-FLYER

MACONDO – ART EXHIBIT,
A JOURNEY THROUGH MAGICAL REALISM
MACONDO – UN VIAJE A TRAVÉS DEL REALISMO MÁGICO

January 20, 2017 – March 10, 2017

Semans Gallery – Durham Arts Council

Located at: 120 Morris Street Durham NC 27701

Galleries are open during normal building hours, 9 am-9 pm, Monday through Saturday
and 1-6 pm on Sundays.

Opening Reception: January 20, 2017 -6:30 PM –Featured Artists

FREE ALL ARE WELCOME

Special Film Connected to Gabriel Garcia Marquez
February 2, 2017 – 7:00 PM – FREE ALL ARE WELCOME

Live Vallenato Music By: Pavelid y su Grupo
Live Folkloric Dance By: Takiri Folclor Latino

This multi-media selection of works by 12 artists from across North Carolina explores themes from ONE HUNDRED YEARS OF SOLITUDE.

We are proud to celebrate the 50th anniversary of the publication of ONE HUNDRED YEARS OF SOLITUDE, (Cien Años de Soledad) the master work of Nobel Laureate Gabriel García Marquéz (GABO), and one of the top 10 books ever written.​

MACONDO ART EXHIBIT – PDF File Here

Can’t View Try Here:

MACONDO ART EXHIBIT – PDF File Here

Featured Artists

MACONDO – ART EXHIBIT, A JOURNEY THROUGH MAGICAL REALISM
MACONDO – UN VIAJE A TRAVÉS DEL REALISMO MÁGICO
FEATURED ARTISTS INCLUDE: NICO AMORTEGUI, LUIS ARDILA, CORNELIO CAMPOS, ERNESTO HERNÁNDEZ, SOCORRO HERNANDEZ-HINEK, ZONIA PIEDAD HERRERA LEÓN, NOE KATZ, SHERRI LEEDER, GUSTAVO LEON, ROBERTO NEGRET, SABA TAJ AND ANTOINE WILLIAMS.

Featured-Artist- Macondo Art Exhibit 2017

The exhibit forms part of the 2nd Annual El Quixote Festival a seven month long festival celebrating the 400 year anniversary of
“El Quijote” a Spanish novel by Miguel de Cervantes Saavedra two parts“El ingenioso hidalgo don Quijote de la Mancha” 1605, “El ingenioso caballero don Quijote de la Mancha”1615.

 

Durham Arts Council

The Durham Arts Council’s mission is to promote excellence in and access to the creation, experience, and active support of the arts for all people of our community and is delighted to have the opportunity to work with the Artist Studio Project to present such inspiring, visual responses to such an imaginative novel.

 

This program sponsored in part by a Grassroots Grant from the NC Arts Council, a division of the NC Department of Natural and Cultural Resources.

 

 

Pavelid Castaneda   TAKIRI LOGO   TAKIRI DANCE GROUP

 Artist Studio Project NC





WRAL---Macondo-Exhibit-Interview


WRAL---Macondo-Exhibit-Interview-DAC


WRAL---Macondo-Exhibit-Interview-Cornelio-Campos





Learn More »

GABRIEL GARCIA MARQUEZ Film and Artist Talk

Artist Talk and Film Screening Gabriel Garcia MarquezGABRIEL GARCIA MARQUEZ Film and Artist Talk
FEBRUARY 2, 2017 – 7:00 PM – PSI Theatre

FREE ALL ARE WELCOME

We are proud to celebrate the 50th anniversary of the publication of ONE HUNDRED YEARS OF SOLITUDE, (Cien Años de Soledad) the master work of Nobel Laureate Gabriel García Marquéz (GABO), and one of the top 10 books ever written.​

cien anos de soledad book

1) “El gallo de oro.”

2) “Tiempo de morir” in 1966.

3) “Un señor muy viejo con unas alas enormes” (1988)

4) “Amores difíciles” (1991)

5)“Eréndira” as a screenplay

6)  “La Viuda de Montiel.”

7) “María de mi corazón” in 1979.

8) “Cronaca di una morte annunciata,” based on “Chronicle of a Death Foretold” in 1987.

9)  “El coronel no tiene quien le escriba” in 1998.

10) On November 16, 2007 an adaptation of
“Love in the Time of Cholera” was released

11) “Of Love and Other Demons.”

Learn More »

Cuentos Para Gabo 2 – Charlotte

CUENTOS PARA GABO 2 – SHORT STORIES FOR GABO 2

Cuentos Para Gabo 2 – SHORT STORIES FOR GABO 2

Literary Gathering – Tertulia Literaria

March 22, 2017

John H. Sykes Learning Center

Charlotte, NC 28274

Phone: (704) 337-2200

FINALISTS / FINALISTAS: Grey Acosta, Regina Betz- Teliszewski, Pedro Briceño, Yvette Corredor, Juan David Cure, Margarita Dager-Uscocovich, Miriam García Herrera, Patrice Hanke Perla, Melanie Marquez Adams, Valerie Nieman, Ana María Paz Bris, Agustin Villacis Paz, Nitin Vyas, Robert Wallace, Elizabeth Zertuche

CLICK HERE – SOMEWHERE IN LA MANCHA PDF

A night of stories, poems, and stories inspired by the themes and topics explored in the literary masterpiece of 100 years of solitude of the 1982 Nobel Laureate Gabriel García Márquez. This event is part of the second edition of El Quijote Festival – GABO, to commemorate the 50th anniversary of the publication of 100 Years of Solitude. The event is free and open to the general public.


Una noche de cuentos, poemas, e historias inspirados por los temas y tópicos explorados en la obra maestra literaria de 100 años de soledad del 1982 Premio Nobel Gabriel García Márquez. Este evento forma parte de la segunda edición de El Festival de El Quijote – GABO, para conmemorar los 50 años de la publicación de 100 años de soledad. El evento es gratuito y abierto al público en general.

The 2nd Literary Gathering – Call for Writers – Llamada para Escritores – Cuentos Para Gabo 2

Call for Writers – Llamada para Escritores are now Closed.


Watch the event below


BELOW ARE A FEW INTERVIEWS OR THE FEATURED WRITERS


AGUSTIN VILLACIS PAZ


ANA MARIA PAZ BRIZ


VALERIE NIEMAN


MARGARITA DAGER-USCOCOVICH


YVETTE CORREDOR


MIRIAM GARCIA HERRERA


JUAN DAVID CURE


 


 

Learn More »

Somewhere In La Mancha

Somewhere in La Mancha…
2nd Annual El Quixote Festival – Gabo 2016 – 2017

Cuentos para Gabo – Stories for Gabo

We are proud to announce the writers selected for the 1st Literary Gathering Cuentos para Gabo – Stories for Gabo CAMERON-VILLAGE-OCT-15-2016

 

  • Alex Blanco
  • Yvette Corredor
  • Juan David Cure
  • Margarita Dager-Uscocovich
  • Miriam García Herrera
  • Joan F Valdes Santos
  • Leonel Vega
  • Agustin Villacis Paz
  • Elizabeth Zertuche

 

We are proud to announce the writers selected for the
2nd Literary Gathering Cuentos para Gabo – Stories for Gabo
QUEENS UNIVERSITY OF CHARLOTTE-
MARCH-22-2017

  • Grey Acosta
  • Regina Betz- Teliszewski
  • Pedro Briceño
  • Yvette Corredor
  • Juan David Cure
  • Margarita Dager-Uscocovich
  • Miriam García Herrera
  • Patrice Hanke Perla
  • Melanie Marquez Adams
  • Valerie Nieman
  • Ana María Paz Briz
  • Agustin Villacis Paz
  • Nitin Vyas
  • Robert Wallace
  • Elizabeth Zertuche

 

2nd Annual week long El Quixote Festival Literary Marathon  

Artist Studio Project in collaboration with several universities, colleges and nonprofits invite you to participate in the 2nd Annual week long El Quixote Festival Literary Marathon 2017. Join us for this historic event as we read aloud Nobel Laureate Gabriel Garcia Marquez’s master work One Hundred Years of Solitude cover to cover. Last year over 500 people participated and read the 1605 and 1615 Quixotes in 18 languages.

The Marathon is programmed as follows: Monday April 17 – El Centro Hispano Of Durham, Tuesday April 18 – UNC Chapel Hill & Elon University, Wednesday April 19 – UNC Of Charlotte, Thursday April 20 – Meredith College & Castila – Centro Internacional De Estudios Hispánicos – Granada Spain , Friday April 21 – Duke University.    

One Hundred Years of Solitude. Read Live and Aloud! Join Us!  VIST: www.iamquixote.com

CLICK HERE – SOMEWHERE IN LA MANCHA PDF

 

 

 

Learn More »

100 Years of Solitude MARATHON READING – LECTURA MARATÓNICA

100 Years of Solitude MARATHON READING – LECTURA MARATÓNICA

100 Years of Solitude MARATHON READING –
LECTURA MARATÓNICA 100 Años de Soledad

APRIL 17, 18, 19, 20, 21, 2017

Click on the butterfly icon below of the location you wish to read and pre-register utilizing the online form.

LIVE STREAMING

 

 

 

 


WHAT YOU SHOULD EXPECT – LO QUE SE DEBE ESPERAR

Each time slot (*) corresponds to 60 minutes of reading.

Estimated readers involved in a time slot are between 5 and 20.

An estimated reading time per person is between 2-10 minutes.

Pre-registration helps us keep things moving and efficient, although walk-ins are also welcomed.

To allow time for placing you in the queue, we ask that all pre- registered readers check in to the location a few minutes before your assigned time slot.

Being a highly participatory activity, we appreciate some flexibility and understanding with any delays.

Your reading can be in any language, although most commonly will be in Spanish or English.

If you wish to read in another language we ask that you bring a copy in said language.
Please help us get the word out and bring a friend!


Cada plazo (*) corresponde a 60 minutos de lectura.

En un plazo intervienen entre 5 y 20 lectores.

El tiempo de lectura estimado por persona es de 2 a 10 minutos.

La registración previa nos ayuda a mantener orden y eficiencia, pero no es necesario registrarse para participar (a nadie se le va a negar la oportunidad).

Para poder acomodar a todos en el horario, se ruega que todos los lectores lleguen al sitio designado algunos minutos antes del plazo de lectura.

Al ser una actividad altamente participativa, se les agradecerá cierta flexibilidad en el caso de que haya  algún retraso.

La lectura puede ser en cualquier idioma, aunque con más frecuencia será en español o inglés.

Si hay alguien que desee leer en otro idioma es necesario que traiga una copia de la novela en dicho.

Haga el favor de correr la voz y traer a un amigo.


Click on the icon locations listed below for complete details and to pre-register to participate.

MONDAY APRIL 17 – EL CENTRO HISPANO OF DURHAM, TUESDAY APRIL 18 – UNC CHAPEL HILL AND ELON UNIVERSITY, WEDNESDAY APRIL 19  – UNC OF CHARLOTTE,  THURSDAY APRIL 20  –  MEREDITH COLLEGE & CASTILA – CENTRO INTERNACIONAL DE ESTUDIOS HISPÁNICOS, FRIDAY APRIL 21 – DUKE UNIVERSITY.

 

el-centro-hispano-Butterfly   UNC-CH-Butterfly   ELON-Butterfly

   MEREDITH-Butterfly     Duke-Butterfly

Artist Studio Project in collaboration with several universities, colleges and nonprofits invite you to participate in the 2nd Annual week long El Quixote Festival Literary Marathon 2017.

This year we are proud to Celebrate 50 years of One Hundred Years of Solitude.

Join us for this historic event as we read aloud Nobel Laureate Gabriel Garcia Marquez’s master work One Hundred Years of Solitude cover to cover.

Last year over 500 people participated and read the 1605 and 1615 Quixotes in 18 languages.

Currently the week long marathon is programmed as follows: MONDAY APRIL 17 – EL CENTRO HISPANO OF DURHAM, TUESDAY APRIL 18 – UNC CHAPEL HILL AND ELON UNIVERSITY, WEDNESDAY APRIL 19 – UNC OF CHARLOTTE, THURSDAY APRIL 20 – MEREDITH COLLEGE & Castila, FRIDAY APRIL 21 – DUKE UNIVERSITY.

One Hundred Years of Solitude. Read Live and Aloud! Join Us!

100 Years of Solitude MARATHON READING – LECTURA MARATÓNICA


Artist Studio Project, en colaboración con varias universidades y organizaciones sin fines de lucro, los invitan a participar en 2do maratón literario anual 2017 de El Festival de El Quijote.

Este año estamos orgullosos de Celebrar los 50 años de Cien Años de Soledad.

Únase a nosotros para este acontecimiento histórico mientras leemos en voz alta Cien años de soledad el trabajo maestro de Gabriel García Márquez, ganador del premio Nobel.

El año pasado más de 500 personas participaron y leyeron El Quijote en 18 idiomas.

El maratón de una semana de duración está programado de la siguiente manera: lunes 17 de abril – El Centro Hispano de Durham, martes 18 de abril – UNC Chapel Hill y Elon University, miércoles 19 de abril – UNC de Charlotte, jueves 20 de abril – Meredith College y Castila, y el viernes 20 de abril la universidad de Duke.

Cien Años de Soledad. ¡Leído en voz alta! ¡Únete a nosotros!

100 Years of Solitude MARATHON READING – LECTURA MARATÓNICA

Learn More »

LIVE 100 Years of Solitude MARATHON READING – LECTURA MARATÓNICA

LIVE – Marathon Reading – One Hundred Years Of Solitude

EN VIVO – Lectura Maratónica – Cien Años De Soledad

Artist Studio Project NC

2nd Annual El Quixote Festival Goes Live!
2º El Festival Del Quijote Se Va En Vivo!

One Hundred Years of Solitude Marathon Reading – Lectura Maratónica Cien Anos de Soledad

COLLABORATORS – COLABORADORES:

 

El Centro Hispano Durham
LIVE – April 17, 2017 5pm – 8:00pm

MARATHON READING – LECTURA MARATÓNICA
April 17, 2017

EL CENTRO HISPANO DURHAM NC
2000 CHAPEL HILL RD #26A, DURHAM, NC 27707

READING TIMES ARE : 5PM – 8PM

CONTACT: PILAR ROCHA-GOLDBERG – PRESIDENT & CEO
PLENTY OF GENERAL PARKING


ELON UNIVERSITY
LIVE – April 18, 2017 3 pm – 6pm

MARATHON READING – LECTURA MARATÓNICA

APRIL 18, 2016

100 CAMPUS DRIVE, ELON, NC 27244
LOCATION: CARLTON COMMONS

READING TIMES ARE:  3 PM – 6PM

CONTACT: MINA GARCIA – ASSOCIATE PROFESSOR OF SPANISH


 CastiLa – CENTRO INTERNACIONAL DE ESTUDIOS HISPÁNICOS

LIVE – April 20, 2017 10 am – 12:00 pm (USA EST)

PLEASE NOTE THIS EVENT WILL BE LIVE FROM GRENADA SPAIN 10:00 AM EST AND 4:00 PM MADRID TIME

 


MEREDITH COLLEGE
LIVE – April 20, 2017 11 am – 2 pm

MARATHON READING – LECTURA MARATÓNICA

APRIL 20, 2017

Cate Student Center Lounge (2nd floor)
3800 Hillsborough St, Raleigh, NC 27607

CONTACT: Astrid Sandunguera Billat

PLENTY OF GENERAL PARKING


 


THE DEPT OF ROMANCE STUDIES UNC CH
LIVE – April 18, 2016 11:30 am – 2:30 pm

MARATHON READING – LECTURA MARATÓNICA
APRIL 18, 2016

TOY LOUNGE, DEY HALL, 
UNC CHAPEL HILL, NC 27599

READING TIMES ARE : 11:30 AM – 2:30PM

FOR THOSE DRIVING TO CAMPUS, THERE IS STREET PARKING AS WELL AS SEVERAL PARKING DECKS ON FRANKLIN ST. OR ROSEMARY ST.


UNC – CHARLOTTE DEPARTMENT OF LANGUAGES AND CULTURE STUDIES
LIVE – April 19, 2017  5:30 pm – 8:30 pm


MARATHON READING – LECTURA MARATÓNICA

APRIL 19, 2017

LOCATION: ROWE Building – room 130 UNCC Main Campus
9201 UNIVERSITY CITY BOULEVARD | CHARLOTTE, NC 28223

READING TIMES ARE: 5:30 pm – 8:30 pm

CONTACTS: SUSANA CISNEROS, NHORA GÓMEZ-SAXON


DUKE UNIVERSITY ROMANCE STUDIES
LIVE – April 21, 2017 12 NOON – 3pm

PERKINS LIBRARY – 411 CHAPEL DR, DURHAM, NC 27705 2nd Floor! Room #218

MARATHON READING – LECTURA MARATÓNICA

APRIL 21, 2016

WILLIAM R. PERKINS LIBRARY – 411 CHAPEL DR, DURHAM, NC 27705

READING TIMES ARE: 12PM – 3PM

CONTACT: MIGUEL ROJAS-SOTELO


 

 

 

 

 

 


Artist Studio Project in collaboration with several universities, colleges and nonprofits invite you to participate in the 2nd Annual week long El Quixote Festival Literary Marathon 2017. This year we are proud to Celebrate 50 years of One Hundred Years of Solitude. Join us for this historic event as we read aloud Nobel Laureate Gabriel Garcia Marquez’s master work One Hundred Years of Solitude cover to cover. Last year over 500 people participated and read the 1605 and 1615 Don Quixotes in 18 languages. Currently the week long marathon is programmed as follows: MONDAY APRIL 17 – EL CENTRO HISPANO OF DURHAM, TUESDAY APRIL 18 – UNC CHAPEL HILL AND ELON UNIVERSITY, WEDNESDAY APRIL 19 – UNC OF CHARLOTTE, THURSDAY APRIL 20 – MEREDITH COLLEGE & CastiLa, FRIDAY APRIL 21 – DUKE UNIVERSITY.
Read Aloud! Join Us!
A Production Of Artist Studio Project: Rafael A. Osuba

Learn More »

Gabriel Garcia Marquez Reads From His Book

Gabriel-Garcia-Marquez-

Title
Colombian writer Gabriel García Márquez reading from his work (Final Pages of:The Autumn of the Patriarch)
Contributor Names
García Márquez, Gabriel, 1927-2014.
Archive of Hispanic Literature on Tape (Library of Congress)
Created / Published
1977.
Subject Headings
–  Colombia–Prose
Notes
–  In Spanish.
–  Recorded Sept. 7, 1977, in the Library of Congress Recording Laboratory, Studio B, Washington, D.C.
–  Recorded for the Archive of Hispanic Literature on Tape.
–  Production level cataloging.
–  Also available in digital form on the Library of Congress Web site.
Medium
2 sound tape reels : analog, 7 1/2 ips, full track, mono. ; 10 in.
Call Number/Physical Location
LWO 9648
Digital Id
http://hdl.loc.gov/loc.mbrsrs/ahlot.93842348
Library of Congress Control Number
93842348
Online Format
audio
Learn More »

Who Was Miguel De Cervantes?

About Miguel de Cervantes

WHY THE BIG DEAL?

Full Name: Miguel de Cervantes Saavedra

(September 29, 1547 – April 22, 1616) Death Commemorated on April 23, along with William Shakespeare 

 

 

BIO- Miguel de Cervantes Saavedra

In 1547, the year when Cervantes was born, the world was no longer a small place, and Spain, under the reign of Charles I, made up half of that world. Alcalá de Henares, a busy, vibrant university town thirty kilometres from Madrid, was where Miguel de Cervantes’ life began. The fourth son of a modest “leecher” –as barber-surgeons were called at that time–, very little is known about Miguel’s childhood and adolescence. His father, Rodrigo, always lived in penurious circumstances, beleaguered by debt. His hazardous job took him from Alcalá to Valladolid, and then to Seville, though first to Córdoba, but there is some doubt as to whether his wife, Leonor de Cortinas, and their six children accompanied him on his wanderings.

The only thing that is certain, is that in 1566 Miguel de Cervantes was living in Madrid, together with the rest of his family. In 1568, he penned some poems on the death of Queen Elizabeth of Valois –wife of Philip II–, that were published the following year by Juan López de Hoyos. But before the year was out, he was in Rome. How did he get there and why did he go? Documents exist of an arrest warrant against a certain Miguel de Cervantes who was tried in absentia for having wounded a foreman in a duel. The sentence contained an ironic nod to the future: ten years in exile and the cutting off of his right hand. However, many people maintain that this Cervantes is not Cervantes, or that it is another Cervantes. In the Eternal City he worked in the retinue of the future Cardinal Acquaviva and then entered the army, until one day, as logic would have it –he was a soldier, he was Spanish and it was the 7th of October, 1571– he found himself in the Gulf of Lepanto, history’s stage. The sea was calm, the rival fleets roared and crept up on each other, and Miguel de Cervantes was suffering from a fever. He was given permission to take cover, but he wanted to leave his mark on history so he readied himself for combat –“the greatest event seen by past centuries”– in a skiff belonging to the galley La Marquesa. Thirty thousand men died on the Turkish side and twelve thousand on the Christian side, with the latter proclaiming victory. Three arquebus bullets hit Cervantes. Two got him in the chest and a third rendered his left hand useless.

After a few months convalescing in a hospital in Messina, Sicily, he rejoined the army. The Mediterranean had become a huge battleground and Cervantes remained caught up in the whirlwind of history: Navarino, Corfu, Tunisia. He travelled the length and breadth of Italy, living to the fullest –reading extensively and enjoying life even more– and, in 1575, embarked on a ship back to Spain. He had letters of recommendation from Don Juan of Austria and the Duke of Sesto, but these letters, written with the aim of making his existence in Spain easier, ended up complicating his life. In the waters of the Gulf of Roses, the schooner Sol fell into the hands of Barbary pirates who mistook Cervantes for someone important. This delayed his rescue and increased his ransom. Cervantes spent five years in the dungeons of Algiers from which he tried to escape four times until, on the 19th of September 1580, the Trinitarian friar Juan Gil appeared with the ransom. Cervantes returned to Spain to find a country in trouble –caught trapped between grime and luxury, going from one bankruptcy to another as it expanded its boundaries and those of the world– and his family ruined by the cost of his release. In Madrid, he tried to use his achievements as a hero of Lepanto, as well as a former prisoner, to find an administrative post. He was sent to Orán on an obscure, month-long assignment with a hint of espionage, was paid fifty ducats, but that was it. Then he glimpsed America. Cervantes wrote to the Council of the Indies, asking to be sent there and given an administrative job. Nothing. The American dream –what might have been– faded on the horizon and became blurred in an ocean of unanswered prayers. “I am content with little, although I desire much” he wrote in Journey to Parnassus.

So he remained in Spain, he still had Spain, and worked on La Galatea, a pastoral novel. He frequented a tavern on Tudescos Street owned by an Asturian, and he also frequented the tavern owner’s wife, Ana Franca, with whom he had a daughter. In December 1584, he travelled to Esquivias, Toledo, to intercede on the publication of the songbook of a deceased friend, and suddenly –in other words, for no clear reason– he married Catalina Palacios Salazar, a woman half his age. He spent two years in Esquivias, publishing La Galatea in 1585. Finally, in 1587, he got a job as Commissioner of Supplies in Seville. He wrote miscellaneous poems to be placed in bouquets of flowers and songbooks, sold comedies, earned poetic justice and as a prize was given silver spoons. He traversed Andalusia from end to end, requisitioning grain and oil for the Invincible Armada. The gloomy hero inhaled the dust from the roads and got used to the discomfort of the inns. He fixed the landscape in his mind’s eye and, in addition, ended up in prison (in Castro del Río, in the province of Córdoba, and in Seville) accused of collecting what he should not have, or taking too long to give the tax office the taxes he had collected. Furthermore, he was excommunicated for seizing church property.

In 1601 the court moved to Valladolid and, three years later, Cervantes settled down by the River Pisuerga, surrounded by women: his wife, sisters, daughter and niece. Without warning, they experienced trouble, distress and unwanted dealings with the law. An important gentleman died –in what today we would call “mysterious circumstances”– at the door, or perhaps even within, the rented house where the Cervantes family lived. The investigation did not solve the death of the gentleman, but it did conclude that all the women of the household led a licentious life that bordered on prostitution. And then, in 1605, something happened; the printing presses of Juan de la Cuesta published the first part ofDon Quixote. It was an extraordinary success, was reprinted five times that year and was soon translated into English and French.

The century progressed; the court returned to Madrid in 1606, and Cervantes returned with it. The Count of Lemos became a protector, but Cervantes suffered another disappointment when his famous patron left for Naples to serve as viceroy but did not include him in his entourage. Cervantes was a man on the cusp of two centuries and a writer of the present who looked to the future. With regard to that future, he was particularly concerned about the salvation of his soul, so he increased his presence in orders and congregations and devoted himself to pious works which he alternated with writing. In 1613 his Exemplary Novels were published. A year later, Alonso Fernández de Avellaneda –a pseudonym that has never been explained– published a second, spurious sequel to Don Quixote. As his twilight approached, Cervantes’s activity became frenzied: he wrote Journey to ParnassusEight Comedies and Eight New InterludesNever before Performed and, in 1615, a sequel to Don Quixote, where fiction and reality shone to offer a refined version of the modern novel.

In 1616, as spring advanced, Cervantes, bed-ridden due to illness –diabetes, perhaps liver failure–, awaited death at his home in Madrid on León Street. His agony is reflected in the dedication and prologue of The Trials of Persiles and Sigismunda. “Goodbye, thank you; goodbye, witticisms; goodbye, rejoicing friends; I am dying, and looking forward to seeing you soon, happy in the hereafter.” He withstood the pain of the illness and began fading until, on the 22nd of April, when after so much living, the moment to die arrived.

SOURCE: Ministerio de Educación, Cultura y Deporte – www.400cervantes.es/en/ – all rights reserved

TOP

TIMELINE

1547

Birth in Alcalá de Henares

Where and when was Cervantes born? For centuries this was a double mystery. The first was solved after his christening certificate, dated 9th of October 1547, was found in the parish of Santa María la Mayor in Alcalá de Henares. As for the exact date, we can only assume that it was the 29th of September, the day of San Miguel (Saint Michael).

 

1568

Madrid,

verses of circumstances Quivering in the court. Queen Elizabeth of Valois, the third wife of Philip II, dies after giving birth to a child who will also die. A shiver runs through Madrid, and the young Cervantes, encouraged by the grammar teacher Juan López de Hoyos, writes poems that will be published the following year in A Story and Relationship of the illness, death and funeral of the Queen.

 

1569

Rome,

waiter to Monsignor Acquaviva Cervantes seeks his fortune in Rome among the dignitaries and popes. He works as a waiter in Monsignor Acquaviva’s retinue, a figure who later goes on to wear the purple robes of the cardinal. When his stint at the palace is over, Cervantes joins Diego de Urbina’s company as a soldier. He traverses Italy and it traverses him.

 

1571

Lepanto,

Cervantes’ fate is entangled with the story of the day of the Battle of Lepanto that pits the Holy League against the Ottoman fleet. On the bloody foam of the sea, amid the chaos of arquebuses, ships on fire, mutilated bodies and the terrifying sound of fifes, Cervantes is wounded in the chest and looses the use of his left hand.

 

1572

Convalescence in Messina,

The horrendous battle results in uncertainty and throngs of people at the hospital in Messina, Sicily, where Cervantes recovers from his injuries. Sicily is under Spanish rule at that time, and is home to the winter quarters for Don Juan of Austria’s fleet. Meanwhile, Cervantes survives and within a few months is back in the military.

 

1575

Captive in Algiers

The Mediterranean, infested with pirates, is a sea at war. In Naples, Cervantes embarks on a ship bound for Spain but, in the Gulf of Roses, his schooner is boarded by the corsair Arnaute Mamí’s men. Cervantes ends up in Algiers, the bustling base of the Barbary pirates and a large slave market. It would take five years, and four failed escape attempts, to regain his freedom.

 

1580

Denia, free again

Eleven years have gone by since he left Spain and a lot has happened in many places: Tunisia is lost and recovered, Juan de Austria dies, Philip III is born, the court makes its home in Lisbon. Spain continues to expand its world: Legazpi founds the city of Manila, Mendaña reaches the Solomon Islands. And Cervantes begins to dream of America, in vain.

 

1581

Orán, an obscure mission

An official assignment – about which little or nothing is known – and the mysterious veil of this Spanish-ruled place in North Africa turn this journey to Oran – in May and June 1581 – into another mystery that surrounds Cervantes’ life. Involving diplomacy, espionage or work of an administrative kind, the only evidence of it is that, on his return, he was paid fifty ducats.

 

1584

Marriage in Esquivias

Cervantes surrenders to amorous pursuits. Having just had a daughter with Ana Franca – the wife of a tavern owner – he then travels to Esquivias, Toledo, to help the widow of a poet friend to posthumously publish a songbook. Once there, he marries Catalina Palacios Salazar, a woman half his age. He sells the rights to La Galatea, which is published the following year.

 

1587

Commissioner of Supplies, Seville

In time everything is achieved, even the dull position as collector of supplies in Seville. But back then Seville was like a cosmos, a foretaste of the Indies, where of all its wealth and splendour arrive. He does not stop writing, and pens poems and plays while calamities – debt, charges against him, and even excommunication – rain down on him.

 

1592

Castro del Río (Córdoba), a fleeting imprisonment

The life of a collector is not particularly easy. Cervantes is accused of selling wheat without authorisation and spends a few days under arrest in Castro del Río. Some scholars believe that is was here where the idea for Don Quixotecame to light; others maintain it happened later, when he was imprisoned again in Seville.

 

1603

In Valladolid, following the court

The Cervantes family – made up of his wife, sisters, daughter and niece – follow the court all the way to Valladolid, settling in lodgings above a tavern, very close to the town’s abattoir, in a small building housing many people. In this stressful environment, Cervantes finishes the first part of Don Quixote.

 

1605

Madrid, the first part of Don Quixote

Six hundred and sixty four pages and many typos. From Juan de la Cuesta’s printing press on Atocha Street in Madrid, the novel that changed novels forever was born. The bookseller Francisco de Robles, owner of the rights, sells each copy for two hundred and fifty maravedis. The book soon sells out and reprints are published at once, some of them illegally.

 

1613

Madrid, Exemplary Novels

The novel, long or short, was always there within Cervantes, who makes the Italian novella his own, in other words, Spanish. It seems that there are to be twelve Exemplary Novels, either because there are two in one –The Dialogue of the Dogs is part of The Deceitful Marriage – or because for years The Pretended Aunt was included in that number, although today this opinion has been rejected.

 

1614 – 1615

Tarragona and Madrid, a spuriousDon Quixote and a real one

Alonso Fernández de Avellaneda – a pseudonym that is still something of a puzzle – publishes, in Tarragona, a spurious sequel to Don Quixote. The ruse spurs Cervantes to finish the second part of Don Quixote, and he enriches the plot by adding an element of metafiction to the discourse of the novel which is published a year later in Madrid. Publishes Journey to Parnassus and Eight Comedies and Eight New Interludes, Never before Performed.

 

1616

Madrid, agony and death

In mid April, the writer begins to feel death approaching, the hand of which can be felt at his home on León Street, on the corner with Francos Street (today Cervantes Street). He receives the last rites, writes the dedication for Persiles and, three days later, on the 22nd of April, dies. The following day he is buried in the convent of the Discalced Trinitarians.

 

SOURCE: Ministerio de Educación, Cultura y Deporte – www.400cervantes.es/en/ – all rights reserved

TOP

PROGRAMA OFICIAL IV CENTENARIO – CERVANTES

Learn More »